GHASSAN ALSERAYHI
MSc. Arch, M. Arch, B. Arch, Assoc. SCE

ARCHITECT + EDUCATOR + RESEARCHER















Peer-reviewed Journal Papers

(2024)

Alserayhi, Ghassan. "The Duality of Extraterritoriality between the Physical and the Digital: The Spatial Paradoxes through the Lens of Media and Collective Memory." Current Urban Studies12 (2024): 617-637. https://doi.org/10.4236/cus.2024.124031.  

Abstract:
The present research focuses on the duality of extraterritoriality in its physical and digital manifestations, approaching how each space affects urban planning governance and cultural memory. This highlights that new layers of complication by digital technologies underpin a different kind of sovereignty and jurisdiction. Through a qualitative, interdisciplinary approach involving case studies of NEOM and Silicon Valley, this research examines how extraterritoriality’s physical and digital forms come together to reshape societal structures and collective memory. The case studies provide a lens for understanding how physical and digital extraterritoriality impacts urban environments, drawing on insights from urban studies, digital humanities, and cultural theory. Against this background, one importantly identifies crucial literature gaps, especially regarding digital extraterritoriality concerning local governance and socio-cultural dynamics. In these gaps, the study identifies valuable information on the evolution of extraterritoriality and their addressing of contemporary changing urban contexts, thus laying a foundation for possible further research into this critical area.


(2020)

Addas, Abdullah, and Ghassan Alserayhi. "Approaches to Improve Streetscape Design in Saudi Arabia." Current Urban Studies 8 (2020): 253–264. https://doi.org/10.4236/cus.2020.82014.

Abstract:
The kingdom of Saudi Arabia is looking to enhance the quality of life in its cities by making the cities livable places. This study focuses on the changes that need to be made to the street design in Saudi Arabia to achieve the goals of the 2030 vision. This paper highlights the importance of aesthetics, accessibility, security and safety and walkability, which needs to be considered during street design. The analytical study uses examples from around the world of applying the basic principles of streetscape design in order to develop the streetscape approaches and recommendations in Saudi Arabia. The research emphasizes the importance of developing the urban environment visual image in the country to enhance the quality of life of both people and the city. Approaches include directing urban planners and designers to the important role of the well-designed streetscape and identifying methods of applying sustainability to streetscape design and making street pedestrian-oriented.


(2020)

Addas, Abdullah, and Ghassan Alserayhi. "Quantitative Evaluation of Public Open Space per Inhabitant in the Kingdom of Saudi Arabia: A Case Study of the City of Jeddah." SAGE Open 10 (2020): 1–18. https://doi.org/10.1177/2158244020920608.

Abstract:
Public open spaces are essential for residents’ social interactions and recreational activities, improving well-being as well as offering economic and environmental benefits. Saudi Arabia is aiming to enhance the quality of life in all its cities through different national programs and projects. One of the key performance indicators is increasing public open space per capita from 3.47 to 3.9 m2 by 2020. This study measured the current public open space per inhabitant in Jeddah using a geographic information system (GIS) to identify the types of public open spaces that make up the per capita value in the city. Jeddah is located in a rapidly developing country, and it is a replanned city where the current status of public open spaces falls short of users’ expectations and does not meet international standards. This study suggests that the Ministry of Municipal and Rural Affairs and municipalities should adopt a systematic approach to tackling the spatial distribution of open spaces in Saudi cities. In addition, there is a need for the proactive involvement of planners, landscape architects, and designers in the planning process.

Conference Papers / Presentations

(Forthcoming: March 2026)

Alserayhi, Ghassan. “Programmable Knitted Actuators for Social and Interactive Micro-Spaces and Spatial Agency” Paper accepted for presentation and proceedings publication at the ACSA 114th Annual Meeting: Convergence/Divergence, Chicago, IL, 2026.

Abstract:
Pneumatic Knits is a material system regulated by air, created by combining digitally manufactured knitted fabrics, pneumatic motion, and touch-based sensing, the research project suggests that such systems are more than just material or technical innovations; they are participatory micro-spatial environments that facilitate social interaction, shared agency, and co-creation, especially for neurodiverse users. Based on soft robotics, machine knitting, and sensory design, the work features a workflow that creatively combines knitted constraints, silicone pneumatic tubes, proportional air control, and touch-based sensors. Here, participatory design and interactive environmental structures serve as the backdrop for the research, in which material behavior can be interpreted as social behavior, thus turning pneumatic knits into socially responsive micro-spatial environments.


(Forthcoming: February 2026)

Alserayhi, Ghassan. “Epistemic Resistances: Making as Inquiry in Postwar Studio Pedagogy in Saudi Arabia.” Full paper accepted for presentation and proceedings publication at the 41st National Conference on the Beginning Design Student (NCBDS 41), School of Architecture and Planning, University of New Mexico, Albuquerque, NM, February 26–28, 2026.

Abstract:
Postwar architectural education was reshaped by the rise of the research university, aligning studio pedagogy with verification, procedural transparency, and administratively legible studio routines. As these models traveled, they entered Saudi Arabia through state-funded academic expansion, where imported studio sequences became authoritative. Within this context, architectural knowledge was increasingly stabilized through standardized, procedure-led pathways—often anchored in technical drawing protocols and step-by-step design routines—while embodied, provisional, and materially situated modes of inquiry were peripheralized.

This paper examines a first-year design studio in the Asir region of Saudi Arabia as an epistemic experiment that reframes full-scale (1:1) making as inquiry rather than execution. Drawing on national artistic practices and craft logics as generators of architectural questions, the brief was structured through four trajectories—Memory Machine, The Craft Scaffold, Weaving the Commons, and Echoes of the Hand—each foregrounding a distinct register of inquiry (temporality, labor, collectivity, embodiment). Through close reading of selected student work, the paper traces how material resistance, failure, adjustment, and sequencing produced knowledge that standardized design pathways do not readily capture. Judgment emerged through consequence and use; authorship became traceable across assembly, maintenance, and participation; and digital technologies operated as mediating instruments within materially grounded work rather than as primary authorities. Situating the studio experiment within the translated research-university culture of architectural pedagogy in Saudi Arabia, the paper advances a critical account of architectural pedagogy attentive to history, theory, and criticism, through which the epistemic conditions of architectural knowledge are reworked by positioning making as a mode of knowledge production rather than execution.


(2025)

Alserayhi, Ghassan. “Playable Worksites: Notre-Dame de Paris as a Public Exhibitionary Apparatus.” Presented at For the General Public: Architectural Spaces of Display and Mediation, Politecnico di Milano, Milan, Italy, December 3, 2025.
https://sites.google.com/view/conference-general-public-dabc/programme_2


Abstract:
his paper analyzes how game-engine worldmaking recasts architectural exhibition as off-site construction, turning the encounter with a canonical object — Notre-Dame de Paris — into a time-based process where knowledge is staged through rules, sequences and navigation. Building on digital-heritage and museum studies and game/history scholarship, it tracks one object across three regimes: pre-accession cultural life and mass-media framing (guidebooks, postcards, film/newsreels); musealization within curatorial grammars (tours, captions, installation  photographs, metadata); and engine-based representation in Assassin’s Creed Unity, where lighting/material settings, movement limits (collision), pathing map
(nav-mesh), and guided viewpoints (scripted cameras) decide what becomes knowable about scale, section, and material presence.

These parameters function as display scripts converting computational choices into public pedagogy; when scan — or photogrammetry — derived assets appear, creating a rhetoric of plausibility that accounts for stitching artifacts and smoothing. After the 2019 fire, Unity’s cathedral circulated as a proxy for the damaged monument, generating myths that “Ubisoft’s model” aided restoration and making engine choices visible to nonspecialists. Reading Notre-Dame as text and exhibitionary worksite, the paper shows how light models and material settings produce convincing “stone”, how permitted paths script access and adjacency, and how guided viewpoints teach a vantage.

Playable access substitutes engagement metrics
for historical fidelity for public audiences-students, tourists, and online viewers encountering YouTube/TikTok clips. The contribution is methodological: it operationalizes engine parameters as curatorial grammar and offers criteria for accountable public reconstructions — declare simulation assumptions; annotate uncertainty; link meshes/materials to sources; expose scan limits; credit modeling and curatorial labor; publish scan-derived assets in quasi-museum viewers with source-linked meshes and uncertainty callouts. Situated within a longer media lineage (from drawing/model to photograph/film to exhibition), the paper specifies where engines discipline architectural understanding and where, used reflexively, they expand it for general
audiences.


Unpublished Writing / Blogs

Unpublished Writing

What Happened to the Human? Reconfiguring Subjectivity in the Digital Condition

The 1967 Princeton Report as a Governance Device in the Canon of Postwar Architectural Education


Playable Worksites: Notre-Dame de Paris as a Public Exhibitionary Apparatus


Echoes in the Margin: Ruskin’s Lamps as Threshold, Liminality, Admission


Blogs
Architecture’s Duality of Death and Life: The Role of Capitalism and Technology in Shaping the Real and Fictional Worlds of 20th-Century Architecture.

From Postmodernity's Relativity to Pseudo-Modernity's Self-Centric Truth.

The Urban Canvas and Architecture as Mediated Language: Exploring the Conduits of Semiotics in Urban Structures from the 20th Century.

The role of representation in structuring “the real” and making the invisible visible.

Critical Computation: Authorship Flattening and the Democratization of Knowledge

The Age of Information: The Dilemma of the Algorithmic, Data-Driven World, and Authority in the Post-Human Era.

Making the Invisible Visible: Reconceptualizing Materiality and the Problem of the 'Real in Relation to Perception and Technology.

The Role of Machines in influencing the perception of artifacts and human body.

Building’s Character(s)